"Though the current political situation in Palestine is more serious than ever, contemporary Palestinian art and film is becoming, paradoxically, increasingly funny. In Laughter in Occupied Palestine, Chrisoula Lionis analyses both the impetus behind this shift toward laughter and its consequences, arguing that laughter comes as a response to political uncertainty and the decline in nationalist hope. Revealing the crucial role of laughter in responding to the failure of the peace process and ongoing occupation, she unearths the potential of humour to facilitate understanding and empathy in a time of division. This is the first book to provide a combined overview of Palestinian art and film, showing the ways in which both art forms have developed in response to critical moments in Palestinian history over the last century. These key moments, Lionis argues, have radically transformed contemporary Palestinian collective identity and in turn Palestinian cultural output. Mapping these critical junctions - beginning with the Balfour Declaration of 1917 to the Oslo Accords in 1993 - she explores the historical trajectory of Palestinian art and film, and explains how to the failure of the peace process has led to the present proliferation of humour in Palestinian visual culture."--Bloomsbury Publishing

lgli/Laughter in Occupied Palestine - Comedy and Identity in Art and Film_(10.5040_9781350987029).pdf

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Laughter in occupied Palestines : comedy and identity in at and film

Chrisoula Lionis, Mokhtar Elareshi

I. B. Tauris & Company, Limited

Taylor & Francis Ltd

Bloomsbury Academic

Bloomsbury UK

International library of visual culture, 22, London, 2016

United Kingdom and Ireland, United Kingdom

First edition, London, 2016

London, [England, 2016

1, 20160224

PT, 2016

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Although the political situation in Palestine is more serious than ever, contemporary Palestinian art and film are, paradoxically, becoming more humorous in their responses. Laughter in Occupied Palestine looks deeply into this trend, and is the first book to provide an overview of Palestinian art and film, showing the ways in which both art forms have developed in reaction to critical moments in Palestinian history over the last century. Chrisoula Lionis analyzes both the impetus behind this shift toward humour and its consequences, arguing that it has flourished amid political uncertainty and the decline in nationalist hope. Revealing the crucial role of jokes in responding to the failure of the peace process and ongoing occupation, she unearths the potential of laughter to facilitate understanding and empathy in a time of conflict and division

Cover
Half-title
Endorsement
Title page
Copyright information
Dedication
Table of contents
List of Illustrations
Acknowledgements
Foreword
Introduction: Why Humour?
1 Palestinianess to Palestinianism: Balfour to Beirut
The Balfour Declaration
Al Nakba
The Battle of Al Karameh
The Invasion of Beirut
2 Double Exile: 1982–1993
3 Oslo: Reaching the Punchline
4 Finding Palestine: Humour and the Delineation of ‘Palestine’
5 Occupied Laughter: Humour and Statelessness
6 Who Is Laughing?: Humour and the Boundaries of Identity
Notes
Introduction
1 Palestinianess to Palestinianism: Balfour to Beirut
2 Double Exile: 1982–1993
3 Oslo: Reaching the Punchline
4 Finding Palestine: Humour and the Delineation of ‘Palestine’
5 Occupied Laughter: Humour and Statelessness
6 Who Is Laughing?: Humour and the Boundaries of Identity
Bibliography
Index

2023-05-22