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在艺术化与现实化之间 李健吾的文学批评 🔍
北京:知识产权出版社, 2014, 2014
张新赞著 🔍
description
1 (p1): 导论：批评的批评
19 (p2): 第一章 批评的思想渊源
21 (p2-1): 一、李健吾与西方文艺思想
65 (p2-2): 二、李健吾与中国传统思想
93 (p3): 第二章 批评的标准与关注的重心
95 (p3-1): 一、批评的标准
111 (p3-2): 二、关注的重心
125 (p4): 第三章 文学批评的文体特色
127 (p4-1): 一、文学批评体式的现代性转变
145 (p4-2): 二、论证体式与诗化体式的交相辉映
183 (p4-3): 三、哪一种随笔？
203 (p5): 第四章 批评的境界：作为人生存在方式的文学批评
206 (p5-1): 一、现代中国需要的文学批评家
221 (p5-2): 二、批评是一门独立的艺术
233 (p6): 第五章 批评遭遇的困境
235 (p6-1): 一、“刘西渭先生的苦恼”
245 (p6-2): 二、刘西渭的愤怒——从文学批评到社会批评
267 (p6-3): 三、咀华记余犹忆芬
273 (p7): 第六章 超越派别的批评家
275 (p7-1): 一、同中见异——“京派”中的李健吾
286 (p7-2): 二、异中有同——李健吾与左翼批评家
295 (p7-3): 三、“刘西渭学派”
301 (p8): 结语 批评家的心灵——在艺术与现实之间的挣扎
313 (p9): 附录
315 (p9-1): 附录一：韩石山先生谈李健吾
330 (p9-2): 附录二：郭宏安先生谈李健吾
343 (p9-3): 附录三：李健吾与“曦社”及《爝火》
360 (p9-4): 附录四：李健吾作品原刊目录索引
399 (p10): 主要参考文献
429 (p11): 后记
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date open sourced
2024-06-13
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