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日本版式设计原理 🔍
上海:上海人民美术出版社, Shang hai, 2016
(日)甲谷一著;景瑞琴译 🔍
description
10 (p1): X1
10 (p1-1): 第一章 布局
10 (p1-1-1): 01如何使版面有条理
12 (p1-1-2): 02如何使版面充满趣味感
14 (p1-1-3): 03如何使版面简洁大方
16 (p1-1-4): 04如何整理多种素材
18 (p1-1-5): 05如何使插图成为主题
20 (p1-1-6): 06如何表现出插图的效果
22 (p1-1-7): 07如何使目录清晰有条理
24 (p1-1-8): 08如何使图表的排列通俗易懂
26 (p1-1-9): 09如何使流程图引起读者兴趣
28 (p1-1-10): 10如何表现电影的世界观
30 (p1-1-11): 11如何使设计给人留下印象
32 (p1-1-12): 12如何展现出高品质感
34 (p1-1-13): 13如何从视觉上表现店内的氛围
36 (p1-1-14): 14如何突出招揽顾客的亮点
38 (p1-1-15): 什么是方格坐标制图
39 (p1-1-16): 如何确定先后顺序
44 (p2): X2
44 (p2-1): 第二章 文字
44 (p2-1-1): 15如何选用与内容相符的字体
46 (p2-1-2): 16如何巧妙地搭配汉字字符和英文字符
48 (p2-1-3): 17如何使文字的排列易于阅读
50 (p2-1-4): 18如何使文字能够装饰情调
52 (p2-1-5): 19如何使文字具有高品质感
54 (p2-1-6): 20如何使段落排列清晰明了
56 (p2-1-7): 21如何制作图片解说词
58 (p2-1-8): 22如何使LOGO漂亮有型
60 (p2-1-9): 23如何使文字引人注意
62 (p2-1-10): 24如何使文字具有摇滚风
64 (p2-1-11): 25如何通篇使用文字
66 (p2-1-12): 如何有意识地让文字发声和渲染气氛
67 (p2-1-13): 如何尝试汉英混搭
72 (p3): X3
72 (p3-1): 第三章 颜色搭配
72 (p3-1-1): 26如何有效地使用双色印刷
74 (p3-1-2): 27如何使版面具有明亮亲切的感觉
76 (p3-1-3): 28如何给人留下高雅的印象
78 (p3-1-4): 29如何运用色彩表现男人味的形象
80 (p3-1-5): 30如何使颜色搭配更加洗练
82 (p3-1-6): 31如何表现出华丽感
84 (p3-1-7): 32如何使版面时尚愉悦
86 (p3-1-8): 33如何在黑色基调上渲染高品质的氛围
88 (p3-1-9): 34如何灵活运用白色空间
90 (p3-1-10): 35如何制作出给年长读者带来平稳感的版面
92 (p3-1-11): 36如何使颜色搭配具有写实感
94 (p3-1-12): 37如何通过颜色搭配传达季节感
96 (p3-1-13): 38如何使读者感知到商品的品牌特质
98 (p3-1-14): 39如何给读者留下时髦洒脱的印象
100 (p3-1-15): 颜色搭配的基础知识
101 (p3-1-16): 如何利用色彩效果
106 (p4): X4
106 (p4-1): 第四章 图片
106 (p4-1-1): 40如何使版面张弛有度
108 (p4-1-2): 41如何最大限度地活用图片
110 (p4-1-3): 42如何毫无修饰地表现商品的品质
112 (p4-1-4): 43如何有效地利用角版和挖版效果
114 (p4-1-5): 44如何整理各种各样的图片
116 (p4-1-6): 45如何在图片上巧妙地搭配文字
118 (p4-1-7): 46如何有效地使用黑白图片
120 (p4-1-8): 47如何盘活图片的世界观
122 (p4-1-9): 48如何运用数量有限的图片给人留下印象
124 (p4-1-10): 49如何运用图片表达最想传达的内容
126 (p4-1-11): 50如何通过图片表现美食
128 (p4-1-12): 图片的最佳裁剪方法
129 (p4-1-13): 如何调整色调
134 (p5): 作品展示&创作过程
145 (p6): 选用文字的方法
151 (p7): 版面布局技巧
Alternative author
甲谷一, (1973- )
Alternative author
甲谷一 景瑞琴
Alternative publisher
Shanghai People's Fine Arts Publishing House
Alternative edition
China, People's Republic, China
Alternative edition
Di 1 ban, Shanghai, 2016
metadata comments
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Alternative description
Ben shu zhong suo wei de " hao she ji " jiu shi zhi zai zhe yang yang de de gong neng xing fang mian biao xian liang hao de she ji. xian zai, xu duo she ji shi dou chuang zuo chu " hao she ji " wei mu biao, que chang chang zai shi ji de she ji guo cheng zhong you yu bu jue. sui ran mo mo hu hu di zhi dao she ji de hao huai, dan ruo zai xi si kao ta hao zai na li?ying gai zen yang xiu gai?xiang yao zhao dao zhe xie wen ti de da an bing bu na me rong yi. ji shi shi hua fei le hen duo shi jian er zhi zuo wan cheng de she ji, dan ru guo zai wei tuo fang mian qian jie shao qian jia, jiu hui bei ren wei hao wu yi yi er bu cai yong de qing kuang ye shi you fa sheng. na shi yin wei she ji shi mei you zui da xian du di chan shu she ji de su qiu xiao guo
Alternative description
本书中, 作者通过对50个范例进行了前&后的对比讨论, 来分析"为什么不好", 然后修改成"好设计", 并且更进一步对如何深入挖掘委托方的要求, 创作出符合目标群体的美术表现和对如何制作出高格调设计的要点进行了通俗易懂的说明
date open sourced
2024-06-13
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