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English [en], .pdf, 🚀/ia, 18.0MB, 📗 Book (unknown), ia/developmentpract0000appl.pdf
THE DEVELOPMENT AND PRACTICE OF ELECTRONIC MUSIC. EDITORS JON H. APPLETON, RONALD C. PERERA. AUTHORS OTTO LUENING U.A. 🔍
Prentice-Hall, Inc., Englewood Cliffs, N.J, New Jersey, 1975
Otto Luening; A. Wayne Slawson; Gustav Ciamaga; Joel Chadabe; John E. Rogers; Gordon Mumma; Jon H. Appleton 🔍
description
ix, 384 pages : 25 cm
Discusses the origins and basic principles of electronic music and the creative potentials of the tape studio, voltage-controlled synthesizer, and live performance
Includes bibliographical references (pages 336-343) and index
Discography: pages 344-366
Luening, O. Origins.--Slawson, A.W. Sound, electronics, and hearing.--Ciamaga, G. The tape studio.--Chadabe, J. The voltage-controlled synthesizer.--Rogers, J.E. The uses of digital computers in electronic music generation.--Mumma, G. Live-electronic music
Alternative author
Editors: Jon H. Appleton [and] Ronald C. Perera. Authors: Otto Luening [and others]
Alternative author
Appleton, Jon H., 1939- compiler; Perera, Ronald, compiler
Alternative publisher
Englewood Cliffs, N.J.: Prentice-Hall
Alternative publisher
Globe Fearon Educational Publishing
Alternative publisher
Longman Publishing
Alternative publisher
Cengage Gale
Alternative edition
United States, United States of America
Alternative edition
1st, First Edition, PT, 1975
metadata comments
Bibliography: p. 336-343.
Discography: p. 344-366.
Alternative description
Luening, O. Origins.
Slawson, A. W. Sound, electronics, and hearing.
Ciamaga, G. The tape studio.
Chadabe, J. The voltage-controlled synthesizer.
Rogers, J. E. The uses of digital computers in electronic music generation.
Mumma, G. Live-electronic music.
date open sourced
2023-06-28
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