This survey of Mexicos visual culture from the mid-1800s to the present illuminates the powerful role of photographs, films, illustrated magazines, and image-filled books in the construction of Mexican identity.

lgrsnf/10.1515_9780822392200.pdf

lgli/10.1515_9780822392200.pdf

nexusstc/Looking for Mexico: Modern Visual Culture and National Identity/87af45c9098efb4db2165869617bb5c7.pdf

John Mraz

E-Duke books scholarly collection, Durham [NC] :, 2009

Duke University Press, Durham [NC], 2009

United States, United States of America

2009 jun 15

1, 20090615

degruyter.com

producers:
PDFium

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In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustín Víctor Casasola, Tina Modotti, Manuel Álvarez Bravo, Héctor García, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico’s past in the country’s influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts. Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.

In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico's modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz's book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo Kahlo, Winfield Scott, Hugo Brehme, Agustin Victor Casasola, Tina Modotti, Manuel Alvarez Bravo, Hector Garcia, Pedro Meyer, and the New Photojournalists. He also examines representations of Mexico's past in the country's influential picture histories: popular, large-format, multivolume series replete with thousands of photographs and an assortment of texts.

War, portraits, Mexican types, and Porfirian progress (1847/1910) -- Revolution and culture (1910/1940) -- Cinema and celebrities in the golden age -- Illustrated magazines, presente, photojournalism, and historia gráfica (1940/1968) -- New visual cultures and the old battle to picture the past and present (1968/2007)

2023-08-22